TAPIR Sound as a New Medium for Music
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Yeo, Woon Seung | ko |
| dc.contributor.author | Kim, Keunhyoung | ko |
| dc.contributor.author | Kim, Seunghun | ko |
| dc.contributor.author | Lee, Jeong-seob | ko |
| dc.date.accessioned | 2013-03-13T02:35:20Z | - |
| dc.date.available | 2013-03-13T02:35:20Z | - |
| dc.date.created | 2012-10-27 | - |
| dc.date.created | 2012-10-27 | - |
| dc.date.issued | 2012-12 | - |
| dc.identifier.citation | LEONARDO MUSIC JOURNAL, v.22, pp.49 - 51 | - |
| dc.identifier.issn | 0961-1215 | - |
| dc.identifier.uri | http://hdl.handle.net/10203/104256 | - |
| dc.description.abstract | The Theoretically Audible, but Practically Inaudible Range (TAPIR) is sound in the highest bandwidth of human hearing; it is barely perceptible by most people but can be transmitted and received by stereotypical transducers. The authors suggest the potential of TAPIR sound as a new medium for music, sonic arts and mobile media. | - |
| dc.language | English | - |
| dc.publisher | MIT PRESS | - |
| dc.title | TAPIR Sound as a New Medium for Music | - |
| dc.type | Article | - |
| dc.identifier.wosid | 000310847300009 | - |
| dc.identifier.scopusid | 2-s2.0-84869174494 | - |
| dc.type.rims | ART | - |
| dc.citation.volume | 22 | - |
| dc.citation.beginningpage | 49 | - |
| dc.citation.endingpage | 51 | - |
| dc.citation.publicationname | LEONARDO MUSIC JOURNAL | - |
| dc.contributor.localauthor | Yeo, Woon Seung | - |
| dc.type.journalArticle | Article | - |
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