Expansive sound organization확장형 사운드 조직화 연구 : 비쥬얼 뮤직 실험연구와 사운드 아트 현역활동을 기반으로 한 추상적 멀티미디어 표현 작품의 미적 지각에 있어서 보조적인 고양 효과에 대한 고찰

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and 2) theorizing the justification for the study of a sound organization meta-discipline (i.e., Expansive Sound Organization) and representing a practicing existing project of creative sound art exercises. First, the theoretical section offers the foundation for the entire project, including discussions on the subjects of creativity in music (or art), sound art theory, the incongruity tendency of new artists, and the impact of industrial technology on sound organization practice. In addition, it introduces the groundwork of the construction of artistic intentions and messages for the purpose of sound art works. Second, the empirical study section examines the affective experiences of Visual Music, a syncretic form of art that integrates animated abstract film with music, and the added value effects resulting from combination conditions. Appraisal theories are known to be a good method of answering the fundamental questions of emotion psychology (Ellsworth & Scherer, 2003; Investigating emotion and the perception of human expressions related to “art” and “music” requires complex interrelating approaches from various areas such as philosophy, aesthetics, psychology, musicology, cognition, history, sociology, and others. Researchers and artists often obtain essential knowledge grounded in previous experiments or artwork to generate a specific hypothesis model or concept for new expansive experimental approaches, in order to conduct an individual study or an art practice. In modern society, contemporary music’s definition of “organized sound”, a term coined by French composer Edgar $Var \grave{e} se$ (Goldman, 1961), opened up music to all sounds and spawned various evolutionary steps and novel emphases in the area. Understanding or appraising today’s musical artworks, such as “contemporary art music” or “sound art”, often requires aesthetics of art rather than pure music theory or musicology because their complex expressivity commonly stimulates multi-dimensional senses, not just auditory channel stimulation. This thesis mainly speculates the exploitation of added value and additional effects in the aesthetic experience of collective abstract expressions that carry integrated information with its prime audio channel in two main approaches: 1) utilizing an empirical method of Visual Music study to examine the added value effects; Roseman & Smith, 2001), and can be regarded as a good base supply for considering emotional responses to art (Silvia, 2005). Hence, this study examines a model of aesthetic experience to understand multimodal stimuli appraisal-processing mechanisms and investigates any enhancement or diminished affective effect results from Visual Music’s intersection of sound and image. Last, it exhibits an existing art practice as an example of adding values to organized sound works with an accentuation of self-referential quality. This kind of reflection could be helpful for the interpretation and examination of the meaning element in art appreciation (Leder, Belke, Oeberst, & Augustin, 2004), and the practice explores some dimensions of self-revelation in an artist’s life. With tangible examples from real sound art practices reflect-ing an artist’s life for over 10 years, it illustrates a complex manner of adding values to organized sound artworks. Providing credible rationales related to traditional disciplinary aesthetic evaluations and independent compositional materials can be viewed as a developmental approach to a new type of art study and practice. This whole research unavoidably brings up the highlighting of new art’s function as resistance to mainstream and conventional culture in social, political, and craftsmanship aspects of academic or industrial environments. It intends to discuss and suggest the approach of offering useful interdisciplinary knowledge to “expansive sound organization” interrelated with sound, music, video, texts, and performance that could suggest helpful insights for young creative artists and researchers for effective future study or practice designs.
Advisors
정재승researcherJeong, Jaeseungresearcher
Description
한국과학기술원 :문화기술대학원,
Publisher
한국과학기술원
Issue Date
2017
Identifier
325007
Language
eng
Description

학위논문(박사) - 한국과학기술원 : 문화기술대학원, 2017.2,[x, 96 p. :]

Keywords

Expansive Sound Organization; Visual Music; Sound Art Theatre; Contemporary Organized Sound; Artistic Added Value Effects; 확장형 조직화 사운드; 비주얼 뮤직; 사운드 아트 씨어터; 현대 조직화 사운드; 예술적 부가 가치 효과

URI
http://hdl.handle.net/10203/241752
Link
http://library.kaist.ac.kr/search/detail/view.do?bibCtrlNo=675673&flag=dissertation
Appears in Collection
GCT-Theses_Ph.D.(박사논문)
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